Seminole

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0><tr> <td valign="top" colspan=2 height=90 BGCOLOR="#006699" TEXT="#080000" background="0ea085a3.jpg"> <div> <FONT SIZE="5" COLOR="#FFFFFF" FACE="Arial" ><I><B>Available Exhibitions</B></I><I><B> </B></I></FONT><B>   </B><B> |     </B><A HREF="default.htm" TARGET="_top" TITLE="Available Exhibitions"><B>home</B></A></div> <div> <B>Seminole</B>   |   <A HREF="yirrkala.htm" TARGET="_top" TITLE="Yirrkala Bark Paintings">Yirrkala Bark Paintings</A>   |   <A HREF="indianajones.htm" TARGET="_top" TITLE="Indiana Jones and the Adventure of Archa">Indiana Jones and the Adventure of Archaeology</A>   |   <A HREF="dragons2.htm" TARGET="_top" TITLE="AQUA">AQUA</A></div> <div> </div> </td> </tr><tr> <td valign="top" width=120 BGCOLOR="#663300" TEXT="#F7F7FF"> <bR> </td> <td valign="top" height=390 width="100%" BGCOLOR="#663300" TEXT="#F7F7FF"> <div> <I><B>Seminole</B></I></div> <bR> <bR> <div> <I> <A NAME="a_cultural_memory"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="1" ALIGN="bottom" WIDTH="1" HSPACE="0" VSPACE="0" ></A></I></div> <div> <I>A Cultural Memory :</I></div> <div> <I>Resistance and Reorganization of the Seminole and Micccosukee Tribes </I><I>of Southern Florida</I></div> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="914" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" BGCOLOR=#993300 > <tR> <tD VALIGN=TOP HEIGHT= 582 WIDTH="256"><bR> <bR> <bR> <bR> <bR> <div> An exhibition of ca. 150  textiles, artifacts, and photographs showing   the culture of the Seminole people of Southern Florida.  </div> <bR> <div> The exhibition is an opportunity to discover the lifestyles, cultures, and modern-day challenges of the Seminole and Miccosukee Tribes through a collection of  ca 150 artifacts and 50 19th and 20th century.  </div> <bR> <div> The exhibition includes 18 complete costumes, beaded fobs and sashes, women's ornaments and necklaces,  25 c<FONT SIZE="3" COLOR="#CCCC99" FACE="Arial" >arv</FONT>ed animals in cypress wood,   30 dolls, 12 palmetto and sweet grass baskets.  </div> <bR> <div> Also included are 50  24 x 32"  mounted historical photographs showing the historical and cultural context, dwellings, crafts, clothing, etc. of the Seminole and Miccosukee Tribes from the late 19th century until the present.</div> <bR> <bR> <bR> </tD> <tD VALIGN=TOP WIDTH="647"><bR> <bR> <bR> <div> <IMG SRC="3525b940.jpg" border=0 width="603" height="404" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>          </I></div> <div> <I>These young women grew up at Musa Isle. Seen in this “real photo” postcard are, from left to right, Mittie Osceola Jim, Annie Doctor Jimmie, Lena Osceola Billie (Big Towns clan), Annie Billie, Mickey Tiger, and Maggie Billie Buster (others are Bird clan). They were photographed by WPA photographer Florence I. Randle, c.1937.</I></div> <bR> <bR> </tD> </tR> </TABLE></div> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="20" CELLSPACING="3" WIDTH="945" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" BGCOLOR=#660000 > <tR> <tD VALIGN=TOP HEIGHT= 472 WIDTH="386"><div> <IMG SRC="39a800e0.jpg" border=0 width="384" height="270" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <I>A Creek Seminole woman is preparing a raccoon skin on a stretcher for drying, ca. 1940. (536-9-14, photograph by William D. Boehmer.)</I></div> <bR> <DIV ALIGN="LEFT"></DIV> <div> <I><B>Man-on-Horseback Doll</B></I><I><B>, ca. 1950s, Mikasuki, Palmetto Fiber, Cotton, Cardboard, Beads.  </B></I><I>    This type of doll was associated with the craft program at  Glade Cross Mission operated by the Episcopal Deaconess  Harriet M. Bedell located at Everglade City, Florida  (1933-1960). Deaconess Bedell and Edith Boehemer of the  Seminole Arts and Crafts Guild, both instituted the making  of unique items for their craft programs.</I></div> </tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="399cfbe0.jpg" border=0 width="463" height="446" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 381 WIDTH="386"><div> <IMG SRC="35b76150.jpg" border=0 width="374" height="277" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>         </I></div> <div> <I> Creek Seminole Mary Osceola Huff (Bird clan) is engaged in the process of sifting corn meal into a palmetto splint basket at the Brighton Reservation. She rests on a typical camp work platform, c. 1960s. (photograph by William D. Boehmer.)</I></div> <bR> </tD> <tD VALIGN=TOP WIDTH="470"><div> <IMG SRC="37bc2fc0.jpg" border=0 width="450" height="252" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <DIV ALIGN="LEFT"></DIV> <div> <I><B>Baskets</B></I><I><B>, 1975-1991,  Seminole and Mikasuki,  Sweetgrass, Palmetto Fiber, Cardboard, Embroidery, Thread, Beads, Yarn</B></I></div> <div> <I>Coiled sweetgrass baskets are made by women for  the tourist trade. The wild sweetgrass is hand-picked  from high, dry areas of the Everglades basin  washed and  laid in the sun to dry and sewn together with colored  threads. Palmetto fiber is the usual basket base material.</I></div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 445 ><NOBR><div> <IMG SRC="397712e0.jpg" border=0 width="369" height="302" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </NOBR></tD> <tD VALIGN=TOP WIDTH="470"><div> <IMG SRC="35cc5320.jpg" border=0 width="453" height="306" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <DIV ALIGN="LEFT"></DIV> <div> <I>Seminole women produced a great volume of crafts for tourist sales. Here women at Silver Springs Seminole Village are engaged in a morning activity, fixing their uniquely evolved hairstyle by smoothing their long hair over a hair board, securing it with a hairnet, and meticulously tying on their layers of necklace beads for the day, ca. 1940's. Left to right: Alice Doctor, Suzie Doctor, Ettie Cypress, Rosie Billie, Annie Tiger Tail, and Rachael Billie Boy. (1314.)</I></div> <bR> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 542 WIDTH="386"><div> <IMG SRC="39177e70.jpg" border=0 width="375" height="487" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>          </I></div> <div> <I>Abraham Lincoln Clay (Panther clan) holds a small alligator that he has just shot, c. 1920.</I></div> </tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="39080fb0.jpg" border=0 width="384" height="507" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 1009 WIDTH="386"><div> <IMG SRC="3857bc40.jpg" border=0 width="379" height="196" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <I><B>Three Beaded Fobs</B></I><I><B>, early 1900s; Creek, Brighton Reservation</B></I></div> <div> <I><B>Beads.</B></I><I>   The loom beaded fobs were pinned to turbans or  other vests. These accessories were worn by men, but were made by women.</I></div> <bR> <bR> <div> <IMG SRC="3837dfb0.jpg" border=0 width="381" height="251" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <I><B>Beaded Sash</B></I><I><B>, ca. 1900,  Tommie (Mrs. Dan) Parker (Snake Clan);  Creek, Brighton Reservation; Loomed Beadwork, Woven Cord Drops, Yarn. </B></I><I>     Sashes such as these were common men's decorative accessories that were worn as a belt or across the chest.  Sometimes two sashes were crossed over the chest.</I></div> <bR> <bR> <bR> <div> <IMG SRC="36977100.jpg" border=0 width="375" height="272" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP WIDTH="470"><div> <IMG SRC="35dc2280.jpg" border=0 width="450" height="296" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <I>Jane Tiger Motlow (Otter clan) sews on a hand-cranked Singer sewing machine. Quite portable, a Singer could be used almost anywhere there was a level surface. The Mikasuki women excelled at patchwork which was their signature art form. Patchwork was made by stripping fabric, sewing it together in long bands, then cutting it into exact pieces, and re-stitching the piece work in simple, straight, bands which formed intricate designs, ca. 1927. (884.)</I></div> <bR> <bR> <div> <IMG SRC="38d95280.jpg" border=0 width="405" height="552" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 1033 WIDTH="386"><div> <IMG SRC="39429b80.jpg" border=0 width="297" height="440" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <I><B>Medicine Man's Rattle</B></I><I>, ca. 1960,  Coconut Shell, Canna Lily Seeds, Egret and other Bird Feathers, Hardwood .</I></div> <div> <I>Used in the “Feather Dance” of the Green Corn Dance  held at Hilolo. At the Green Corn Dance the Seminoles  gather into clan camps where they dance for four days.  The dances are led by a medicine man who keeps cadence  with the rattle and is followed in a line by men and women.  This is the most important socio-religious event of the tribe. </I></div> <bR> <bR> <bR> <div> <IMG SRC="3987fff0.jpg" border=0 width="383" height="255" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <I>The Seminole families of the tourist attractions carried on their daily routine and stayed at the attractions only as long as they desired. This photograph shows Bird clan employees of the Musa Isle tourist attraction preparing a meal of garfish. From left to right are unidentified, Mickey Tiger, unidentified, and Mrs. John Tiger, c. 1937. (photograph by WPA photographer Florence I. Randle, Florence I. Randle Collection.)</I></div> </tD> <tD VALIGN=TOP BGCOLOR=#993300><NOBR><bR> <bR> <div> <I>Artifacts in the exhibition:  </I></div> <div> <I>ca. 175 artifacts and photographs</I></div> <bR> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0">18 complete costumes</div> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0">4 beaded fobs (1 from 1893), 1 beaded sash</div> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0">Women's ornaments and necklaces</div> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0"> 20 carved animals in cypress wood</div> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0"> Medicine man's rattle, stickball racquets</div> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0"> 30 dolls (from 1930s - 1990s)</div> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0"> 6 palmetto baskets, 7 sweet grass baskets</div> <div> <IMG BORDER="0" SRC="Symb075c00b700dc99cccc00.png" HEIGHT="15" WIDTH="24" ALIGN="bottom" HSPACE="0" VSPACE="0"> 50   c. 24 x 32" color and black and white historical photographs</div> <bR> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div>         <IMG SRC="39d2d870.png" border=0 width="301" height="391" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">   </div> <bR> <div> <I><B>Stickball Racquets and Ball</B></I><I><B>, ca. 1960</B></I></div> <div> <I><B>Hardwood, Leather, Deer Buckskin, Deer Hair.  </B></I></div> <div> <I>These items were used to play stickball, a ceremonial</I></div> <div> <I>game associated with the Green Corn Dance. Although </I></div> <div> <I>both men and women participate in the game, only men </I></div> <div> <I>use the rackets. Women used their hands to throw the </I></div> <div> <I>ball. Four (a sacred number) fleas were placed inside the </I></div> <div> <I>ball “to give it life.” </I></div> <bR> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 549 WIDTH="386"><bR> <bR> <bR> <div> <IMG SRC="3847f0a0.jpg" border=0 width="383" height="266" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>       </I></div> <div> <I>   Women and girls often wore necklaces strung with dimes or quarters, a trend dating back to the 2</I><I>nd</I><I> Seminole</I><I> War era.  </I><I>The cape is ornamented with 31 tin disks made to look like the more costly silver broaches.</I></div> <bR> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <I>On the Miami River, Little Charlie Jumper (Panther clan) and Billie Tommie Jumper (Bear clan) pose with their children in their cypress dugout canoe laden with camp gear, ca. 1904</I></div> </tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="39ec2d50.jpg" border=0 width="450" height="213" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <bR> <div> <IMG SRC="39cca0f0.jpg" border=0 width="458" height="271" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 2485 WIDTH="386"><div> <IMG SRC="3434bf00.jpg" border=0 width="331" height="496" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <IMG SRC="34940200.jpg" border=0 width="320" height="800" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <bR> <div> <IMG SRC="378771b0.jpg" border=0 width="375" height="283" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> <I>These rare examples of wooden dolls were carved and painted c. 1940s by men for the Seminole Arts and Crafts Guild.  The Guild was established at Brighton by Indian Service employee, Edith Boehmer, in 1938.  It was responsible for the new innovations and quality in Seminole arts and crafts.</I></div> <bR> <bR> <bR> <div> <I><IMG SRC="37a63140.jpg" border=0 width="355" height="532" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></I></div> <bR> <div> <I><B>“Medicine Man's” Coat, </B></I><I><B>Jimmie O. Osceola, Panther Clan, Mikasuki, Cotton.</B></I></div> <div> <I>In the 1890s all men wore this style coat. By the 1930s onlya few older men wore this garment, which came to be  called a “medicine man's” coat. The medicine colors are red, yellow, black and white.</I></div> </tD> <tD VALIGN=TOP WIDTH="470"><div> <IMG SRC="345cf550.jpg" border=0 width="463" height="341" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <bR> <div>      <I>      The woman's garment consisted of a very full, floor-length skirt, gathered at the waist with an adorned area and ruffle at knee length. Her long sleeved blouse has an attached cape, trimmed also with a ruffle, which came only to the shoulders. The blouse was very short, barely covering the breasts and leaving a few inches of midriff exposed between the bottom of the blouse and the top of the skirt. Old photographs usually show Seminole women with their arms crossed in front of this gap, doubtless to conform to the photographers sense of decency.</I></div> <bR> <div> <I>          To complete the woman's outfit, she wore as many strings of glass necklace beads as she could afford.  The Seminole female wears beads at a very early age and adds to these from time to time until a large quantity had been amassed. As the women got older, they wore fewer beads - as vanity gave way to comfort and not to prescribed ritual. The vogue of necklace beads is still present among traditionally-minded women today, although the excess of earlier times has greatly diminished.</I></div> <bR> <bR> <bR> <div> <IMG SRC="34790c90.jpg" border=0 width="400" height="457" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <bR> <bR> <div> <IMG SRC="38a91670.jpg" border=0 width="401" height="615" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <bR> <div> <I><B>Technical Information:</B></I></div> <bR> <div> <I><B>Available:   From Autumn 2009 for 3-month periods</B></I></div> <bR> <div> <I><B>Size:  Variable - from 3500 - 4500  sq ft depending on your space needs</B></I></div> <bR> <div> <I><B>Participation Fee:  Inquire</B></I></div> <bR> <div> <I><B>Borrowing institution is responsible for transport costs</B></I></div> <bR> <div> <I><B>Included in the participation fee:</B></I></div> <div> <I><B>       Insurance</B></I></div> <div> <I><B>       Courier accompaniment</B></I></div> <bR> <div> <I><B>Number of Artifacts:  approximately 150, a complete artifact list will be available later in the year</B></I></div> <bR> <div> <I><B>Types of objects Included in the exhibition:  </B></I></div> <div> <I><B>     clothng, carvings, baskets, jewelry, tools and cooking  utensils, dolls and toys, beaded works, photographs, </B></I></div> <bR> <div> <I><B>Also included:  text panels and labels in electronic format. </B></I></div> <bR> <div> <FONT SIZE="3" COLOR="#CCCC99" FACE="Arial" ><I><B>Curator of th</B></I><I><B>e Exhibition:  </B></I></FONT><B>Patsy West, Ethnohistorian and Director of the </B><B>Seminole/Miccosukee Photogr</B><B>aphic Archive, Ft. Lauderdale</B></div> <div> <B>(</B><A HREF="patsy_west_curator.htm" TARGET="_top" TITLE="Patsy West"><B>see additional information here</B></A><B> )</B></div> <bR> <bR> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 1377 WIDTH="386"><div> <IMG SRC="37175170.jpg" border=0 width="373" height="535" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>        </I></div> <div> <I>  </I></div> <div> <I>Billy Bowlegs III (Little Black Snake clan) was of no relation to the war leader. This Bowlegs was a grandchild of one of the last full-blood African slaves owned by a Seminole clan. His mother Nancy, was half Seminole, a slave retained by the Snake Clan. Since Seminole mothers give their clan to their children and Billy's Mother had no clan, he was given the designation of Little Black Snake clan by his Seminole relatives, c. 1911.</I></div> <bR> <bR> <div> <IMG SRC="3817cfa0.jpg" border=0 width="380" height="506" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>         </I></div> <bR> <div> <I> Creek Seminole Fred Smith (Panther clan) exhibits the traditional tonsured, first-haircut for a boy. (photograph by William D. Boehmer)</I></div> </tD> <tD VALIGN=TOP WIDTH="470"><div> <IMG SRC="382a91e0.jpg" border=0 width="425" height="286" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>         </I></div> <bR> <div> <I> Building a chickee required the help of several people. In the Creek country of vast cabbage palm prairies the main chickee uprights were made of cabbage palm (seen here), while the Mikasukis in the Big Cypress used cypress trees. The most time consuming task was cutting and transporting the palmetto “fans.” (429-3, photograph by William D. Boehmer.) </I></div> <bR> <bR> <div> <IMG SRC="37faa690.jpg" border=0 width="426" height="361" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <I>          </I></div> <bR> <div> <I>There was a task for everyone in the operation of the Seminole camp. Here Ben Wells, an elderly man, tacks a nail in the fan. The next step is to hand the fan to a man on the roof, who will then twist and nail it into place on a beam of the framework, c. 1960. (photograph by William D. Boehmer.)</I></div> <bR> <bR> <bR> <div> <IMG SRC="380c12b0.jpg" border=0 width="449" height="299" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <I><B>Winnowing Basket and Two Storage Baskets</B></I><I><B>, 1940s-1950s; Plametto Splint</B></I></div> <div> <I>The front basket is used to sift and separate the cornmeal from the chaff. The storage basket in  the center was made by Lucie Pierce (Bird clan) .  Creek, Brighton Reservation. </I></div> <bR> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 193 ><NOBR><div> <I>For Further Information</I></div> <div> <I> about schedulilng and fees please contact:</I></div> <bR> <bR> <div> <I>Shirley Reiff Howarth, Director</I></div> <div> <I>The Humanities Exchange</I></div> <div> <I>Montreal, Canada</I></div> <div> <I>514-935-1228</I></div> <div> <I>exhibitionsonline@earthlink.net</I></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#993300 WIDTH="470"><bR> <div> <I><B>Conservation Requirements</B></I></div> <bR> <div> <I>Temperature: spring and summer,  22°C; fall and winter 21°C</I></div> <bR> <div> <I>Relative humidity: 42%, ± 2%</I></div> <bR> <div> <I>Lighting: maximum of 150 lux for all objects except textiles,  for which the maximum is 50 lux.</I></div> <bR> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <TABLE BORDER="0" CELLPADDING="10" CELLSPACING="1" WIDTH="460" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="VSIDES" RULES="ALL" HSPACE="0" VSPACE="0" BGCOLOR=#660000 > <tR> <tD VALIGN=TOP HEIGHT= 168 WIDTH="438"><bR> <div> <I><B>The Humanities Exchange</B></I></div> <div> <I><B>A  non-profit corporation</B></I></div> <div> <I><B>Belleair Bluffs, FLORIDA USA</B></I></div> <div> <I><B>and</B></I></div> <div> <I><B>Montreal, CANADA</B></I></div> <div> <I><B>----</B></I></div> <div> <B>Tel 514-935-1228 ; Fax 514-935-1299</B></div> <bR> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> </td> </tr></table></body>